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Sign up for our monthly email alertsBartók and the Piano
A Performer's View
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SUBJECTS
Music » Classical
Music » Music (General)
Music » Biographies
Music » Instrumental
REVIEWS
"It always lends a definitive veracity to a book when it is written by an internationally acclaimed concert pianist like Barbara Nissman who's been there, done it; moreso when it shows a keen analytic mind on matters of style, form and structure of Bartok's music....[the] insights reveal the quality of this ebulliently written book and its worth for pianists and music lovers alike."
—Ian Dando, NEW ZEALAND LISTENER
DESCRIPTION
A virtuoso himself at the piano, Béla Bartók was also responsible for over 300 compositions for his beloved instrument. Yet, of all the books exploring his life and music, this is the first to depart from the realm of complex music theory. Written from the vantage point of a pianist and active performer rather than a theorist or musicologist, Bartók and the Piano: A Performer's View readily addresses the artist's exceptional relationship with the piano, paying special attention to form, structure, and the foundation and roots of his musical vocabulary. Using universal terms that the most novice of music lovers will find appealing, the book focuses on Bartók's approach to his music, his pianism, and the discipline and preparation required for performance. It serves as a guide to more informed listening, and will enable its readers to appreciate not only the work of Bartók, but that of countless others.
In the midst of recording Bartók's complete works, renowned pianist Barbara Nissman has explored the very roots of his creative processes. To further aid readers in understanding the elements of the repertoire at hand, a CD insert of Bartók's music performed by the author is included. A perfect companion to Benjamin Suchoff's Bela Bartók: Life and Work, the first in-depth biography of the artist and folklorist.
ABOUT THE AUTHOR
Barbara Nissman received her doctorate in music from the University of Michigan where she studied with pianist Gyorgy Sandor, himself a student of Béla Bartók. She is well known for her recordings of the music of Prokofiev and Ginastera, recently reissued by Pierian records, and is the dedicatee of Ginastera's final work, the Third Piano Sonata. Future releases include music by Liszt, Bartók and the five Piano Concertos of Prokofiev.
Ms. Nissman has performed with the leading orchestras in Europe and the United States and has worked with some of the major conductors of our time including Eugene Ormandy, Riccardo Muti, and Leonard Slatkin.
